The Performance Of English Speaking Skill Used By The Receptionist Of Purna Wisata Tour And Travel

The reseach objectives are to know whats ymbols are performed in Lariangi dance and what meaning are conveyed in the symbols performed in Lariangi dance. The research used descriptive qualitative method to take information. The writer obsereved the house in Liya village and took some informations from them and interviewed and documented by using recorded and camera. This research also took the datum from some books, articles, internet which associat with the symbols in Lariangi dance in Wakatobi Southeast Sulawesi. The research resulted in the part of symbols in Lariangi dance start from dress, accessories, movement of the dance and the songs of Lariangi dance. The result of the research was consisted in four part. First, the symbols found in dress there are six namely Kombo Monihi, Kombo Meha, Punto/Wuray Nibelo Biru, Laka/Wuray Meha, Kambero, and Lenso/Saputangan symbolyzes sweat rag of King Buton. The second, there are eight symbols and their meaning found in accessories, namely Panto and Pintoru, Hepupu/ Konde, Kamba Konde, Toboy Kamba, Hebindu/Sangi-Sangi, Kalo, Naga, Sekori Keponto Posusu symbolyzes degrees nobility. The third, there are four symbols found in movement of Lariangi dance namely, Hematu kepooli le..le, Pajogi/Nyibing/Ngifi, Nabu/Tau, and Lariangi symbolyzes Lighting. The last is symbols found in song of Lariangi dance there are nine songs namely Mangu-Mangu, Ole-Ole, Doumaraia, Denda Aule, Sailila, Waindi-Indi, Rongande, Jojongana, and Salatu symbolyzes as thankful to Allah SWT.


Introduction
Indonesia is a country that consists of various tribes, cultures, customs and traditions. All of these are priceless wealth when we see from art, history and religion. If it is examined further, it will contain lesson and image from the tribe and society that has each character.In this report, the writer will explain about art paticularly for traditional dance in Wakatobi. Traditional dance is identity reflection of a territory, movement of traditional dance in general is simple and repeatedly. Movement of that dance stacked appropriate with values that reflected life society itself.
Traditional dance is identity reflection of a territory, movement of traditional dance in general is simple and repeatedly. Movement of that dance stacked appropriate with values that reflected life society itself.
In another meaning, Traditional dance is a form of dance that traces its roots back to early or otherwise important foundations of a culture. Depending on the culture of the dance, traditional dance can be referred to as folk dance or ethnic dance.
Traditional dances are taught both as a form of dance and as a way to keep a part of a specific culture alive in new generations. They are sometimes used in ceremonies or as a ceremonial honor but are more often than not practiced unchoreographed and as a social activity rather than a competitive one. Dances that were used in rituals are usually not considered traditional dance and are instead considered a form of culturally religious dancing.
Dance is effort to create the beauty through movement and rhythm formation in movement unit composition to convey certain message. According to Alma Hawkins (1990) : "Dance is the oldest human expression. Experienced that appeared because social movement is result of human necessary to find and look for the real shape in aesthetic aspect from meeting with life. There are two creative experiences and aesthetic because experience will enrich itself as human. The experienced in helped human become an individual that integrated and feel harmonious with the world, to reach totality feeling".
Lariangi dance is a traditional dance from Wakatobi. Lariangi dance is an entertainment dance for the people in Wakatobi, this dance is usually played by twelve local village teenage girls. This dance is very exotic, especially the costumes. The name of this dance costume dance is the same as the name of Lariangi. This dance is performed while singing. Formerly dances in the show to welcome the royal guest. kantian philosopher who distinguished tics and phonology, Peirce was a somewhat conceptual question from a study of linguis-theory. Unlike Saussure who approached the Peirce (1839) proposed a different shoulder and so forth'. kiss, the embrace, the smack, the slap on the clearly codified social behavior such as the mic behavior and it is amplified to include munication among the blind and in proxe-psychology, present and recognized in com-Efron, 1941) that 'Semiotics is studied by stated by Eco as cited in (Frank, 1957 : In A Theory of Semantics book it is also language more specifically. "sign" from "word" as only a particular kind of sign, and characterized the sign as the means to understanding. The setting of peirce's study of signs is philosophical logic, which he defined as formal semiotic, and characterized as a normative field following esthetics and ethics, as more basic than methaphysics, and as the art of devising methods of research. The result ia a theory not of language in particular but rather of the production of meaning, and it rejects the idea of a static relationship between a sign and that which it represents, its object. Peirce believed that signs are meaningful through recursive relationships that arise in sets of three.
Semiotics of culture is a research field within semiotics that attempts to define culture from semiotic perspective and as a type of human symbolic activity, creation of signs and a way of giving meaning to everything around. Therefore here culture is understood as a system of symbols or meaningful signs. Because the main sign system is the linguistic system, the field is usually referred to as semiotics of culture and language.
Semiotics can be applied to anything which can be seen as signifying something, in other word, to everything which has meaning within a culture. Even within the context of the mass media we can apply semiotic analysis to any median text such as television and films, cartoons, newspaper, magazines articles, posters and so forth. lit. cultura, (Latin: Culture "cultivation" ) is a modern concept based on a term first used in classical antiquity by the ani-"cultura Cicero: orator Roman mi" (cultivation of the soul). This nonagricultural use of the term "culture" reappeared in modern Europe in the 17th century referring to the betterment or refinement of individuals, especially through education. During the 18th and 19th century it came to refer more frequently to the common reference points of whole peoples, and discussion of the term was often connected to national aspirations or ideals. Some scientists such as Edward Tylor used the term "culture" to refer to a universal human capacity.
Culture is part of us, it was he who guided our values, beliefs, behaviors, and our interactions with others. According to Edward Burnett Tylor, a British anthropolo- Dispersal of action of the prisoners from Moluccas to several island in cluster of that archipelago, the population of the kingdom of Buton apparatus, called the cluster of that islands became Tukang Besi island. Tukang Besi is immortalized as "Artisan Iron". The mention of Artisan Iron for the cluster of that islands occurred since the mid 17th century.
One important thing that might be considered also is a entertaining story about Lariangi dance created and the meaning of symbols told by several respondent when the researcher did the research in Wakatobi.
At the time the Buton kingdom, when the King Wakaaka crowned as the first king (mid XIV century), Lariangi Dance was introduced as a dance palace completion. That is, this dance is only offered to the king to eliminate fatigue.
In 1674, Kasawari commanded the King Buton to teach Lariangi dance to the public, so there is a saying, that "Tekahedupa Tenirabu Teandi-Andi Nu Wolio," That is, Kaledupa should be fostered as well as assistance from the government the king of Buton in all kinds of fields anything, because at the moment Kaledupa was the second from Buton Kingdom mainland.
Hj Wa Ode Zaramu (La Ode Cio grandchildren, former commander of Kaledupa) said, Lariangi Dance is a dance that contains special meaning, ranging from clothing, singing and movement. Lariangi dance is a dance form of entertainment for the people, the dance is usually played by teenage girls of twelve local villages. Each village has a different version of both the movement and the song. This is caused by differences in Lariangi dance teacher. This dance is very exotic, especially the cos- besides gestures are also accompanied by songs and sung by the dancers. Twelve pretty young girl, beautiful costumed dancing and singing to the music of joy and sometimes bend sharply and so carefree who is not fascinated watching it.
Forward movements, turned to the left and to the right with the eyes following the end of the swing fan, reflecting an irregular rhythm of motion and also shows that progress is something wonderful. Blend character, costumes and dance movements in Lariangi, there Kinema that women in dress Wakatobi always polite, gentle in action and speak hello, open in dealings with any one, and is consistent in many ways. Lariangi dance it's not seldom showed as entertainment treat guests with officials (state officials) who visited Wakatobi.
In another explanation, Lariangi dance is an entertainment dance for the people in Wakatobi, this dance is usually played by twelve local village teenage girls. This dance is very exotic, especially the costumes. The name of this dance costume dance is the same as the name of Lariangi. This dance is performed while singing. Formerly dances in the show to welcome the royal guest.
Formerly, Lariangi played at the royal palace that serves as lighting. Therefore, Lariangi embodied in the movement and singing. They sing in a language of ancient Kaledupa. Currently, this language is not used in everyday conversation. Lariangi consists of two syllables namely Lari and Angi. Lari means to decorate or carve. Angi means those decorated with various ornaments to convey information, with the intention to provide advice. It could also be entertainment with dance moves and singing. As the embodiment of the dancers clothing Lari is composed of fabrics, beads, embellishments bun, engraved metal for bracelets, necklaces, and ornate gloves. For example, ornate bun called a monitor like a radar or elaborate hair ornaments once made. Only certain people can make the hair ornaments. Angi is realized in the form of movement and singing. The duration of this dance are ten minutes. For ten minutes, we will see ten beautiful women dancing and singing. The dance is dominated by a scribed and elaborated the facts and the de-qualitative method, which meant that it de-This research will use descriptive

Method
shame for life in the body.
ner is tantamount to fail in life and must bear the tained and protected. Failed to protect her part-is honored with a fixed price that must be main-eyes of the Wakatobi , women especially partner fice their own lives are at stake, because in the stances and in any case, even if it has to sacri-and willing to protect women from any circum-philosophical meaning that a man must be able cles beside two female dancer is said to have a from the outside. And indeed, rolling dance cir-protect his partner from the dangers that come the middle, like a young man who was trying to men walking around the two female dancers in In this Nyibing dancers performed by two young

Nyibing.
dance scene this is a smart move called end of the dance, as the culmination of the relentless mouth sing. And then on towards the and circular motion, waving a fan or Lenso with movement of the dancers dominated by sitting dance lasted about ten minutes of this, the and singing performed by the dancers. On the for the word itself can be reflected Angi motion ing monitor the hairpieces that can make this as people and has forged with experience manag-ration is not just anyone can do it. Only certain That said, to be able to make this monitor deco-beautiful ornate and complex called the monitor.
rations. Lari can also be seen from the bun is so circular as bracelets, necklaces and other deco-which consists of fabric, beautiful carved metal be seen from the costumes worn by the dancers advice. Lari is the embodiment of the word can convey information, with intention to provide people who decorated with some ornaments to ful decorate or carve, and Angi which means consists of two words namely Lari has meaning-singing, and also call Lariangi dance, which was also, this dance is played with motion and as a means of illumination. Perhaps because it dance was in ancient times often staged for and played in the royal palace. Besides, also, this greet the royal guests who visit there and only early development of this dance is devoted to Lariangi dance showed in certain events, in the Although at this point, is not merely the dition must still protect women.
ers. It says something, the men, in any con-They danced around the two female danc-Nyibing performed by two male dancers.

Nyibing.
dance. That movement, called the Lenso or fan. The climax is at the end of the circular motion with a flick sit down and ISSN 2685-4112 (Online) ISSN 0216-809X (Print) tailed information sistematicaly in the field of the research. The are two variables that will be assessed In this research: symbols are performed in Lariangi dance and meaning are convey in symbols performed in Lariangi dance. The indicators of symbols performed in dance and meaning of symbols performed in Lariangi dance. The sample of this research used ten (10) experienced people who could introduced and explained how to perpetuate the target of what symbol performed and meanings conveyed in the symbol performed in Lariangi dance.
This method is used to direct explore or material research to obtain the object and analyzed. Analysis in this study will focus on symbols perfomed in Lariangi dance and meanings are conveyed in the symbol meaning of Lariangi dance in Wakatobi. Semiotics method essentially qualitative interpretative a method that focuses itself on the sign and context as object of study, as well as how researchers interpret and understand code behind symbols and meaning.

Finding and Discussion
According to most of the respondent, besides for the king, Lariangi dance also is used for entertaining, expression of gratitude to god, welcoming the arrival, ceremonial occasions, wedding ceremony, and overseas. The dancers will called by the host if there is ceremony like that. Before the dancer showed on stage, the teacher of Lariangi dance will call the dancers to train in teacher place. Means to prepare their self around one week before showed started from dress, accessories, songs and movement of dance. They are really pay attention about that.
To make the readers easier to understand well about the symbols performed in Lariangi dance and their meaning, the writer in this working paper would like to discuss shortly about the following items. The items will be explained as follows:

The Symbols Found in Dress
In Lariangi dance, there is one dress but have four layers dress. The accessories in functions and meaning as cause the accessories have good meaning. make the dancer good looking and also be-In this part, the accessories is used to

Lariangi Dance
In this stage, there are some movement of Lariangi dance that will be explained as follows: • Hematu ke Pooli le... (Opening and Closing) is a movement that done when the dance opening and closing by saying Le.... • Pajogi/Nyibing/ Ngifi (Dance) is a dance that performed in climax of dance. Ngifi is the last part of Lariangi dance two girls will dance while singing on the stage and two male surrounded them. • Nabu/Tau (Souvenir) is two dancers perform dances in the middle alternately and then people give enough money or souvenirs in chamfer sometimes two boys or two Nyibing came to middle and dance together with the girls after that the boys will take the handkerchief of dancer then the boys go out to give some money to handkerchief then they back to middle and give back her handkerchief with money. The people who called the dancer also will give anything souvenir it means to honor them. • Lariangi (decorate and decorated) is the name of dance and also all the movement and dress called Lariangi.

The Symbols Found in Songs of Lariangi Dance
There are many songs that brought in Lariangi dance. In the past time when Lariangi dance showed in the kingdom until the dance spread the songs are fourteen and usually the dance performed when the evening until morning come. But now, the dancer sometimes just brought five until six song depend on the dancer. This bellow is a song of Lariangi dance by using Kaledupa language (song of the full advice and praise to the creator and king):